What I enjoy the most about this sculpture is the unstudied, unaffected aspects of it. The nudity is very natural, the curves very real. It’s only when you reach the facial features that you suddenly realize that the sculptor has gotten a little careless and his model’s face has become something more simplistic and expressionist than realistic.
Author: Becky
Thursday
Wednesday
You can read about the painting all you want, but until you look at it, you don’t understand it. To me, the real focus of the picture is in the background, in the moonlight glow – the focal point for the rest of the action is there. The campfire and lighthouse become evident only after you see the moonlight, and the reflection of the moonlight off the water. Everything about this composition is about light, even in the darkness. It is everything.
Tuesday
Monday
There is a lot of crossover between Rococo design and Victorian Impressionism; the repression of sexuality in public while glorifying it in private, all the while alluding to it in portraiture, sketches, etc., is very similar. Renoir’s palette of ‘girly’ pastel hues and feminine lines makes this painting flirty, fresh, and inviting in a borderline naughty way.